Across six distinct locations, the installations form what you describe as a “travel capsule”—a spatial and temporal passage that the viewer inhabits rather than simply observes. Each site becomes both autonomous and interdependent, holding a fragment of a larger narrative that only fully emerges through movement, memory, and association. The audience is invited to traverse these spaces as if crossing thresholds between worlds.

Sound plays a crucial role in binding these environments together. Carefully synchronized dialogues and poetic fragments drift through the installations, acting as echoes, traces, or transmissions from elsewhere. These voices do not anchor the viewer in certainty; instead, they destabilize meaning, suggesting layered realities and overlapping states of being. Language becomes both guide and ghost—present yet elusive.

At the core of the work lies an exploration of disappearance—not as an end, but as a transformation. The recurring motifs of passage evoke mythological and existential journeys to underworlds or afterlives, where the body is no longer fixed but transitional.